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URI gets 'Afro-Semitic Experience' in Multicultural Center

Mark Scialla

Issue date: 1/29/09 Section: News
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Members of the Afro-Semitic Experience David Chevan, bass, and Warren Byrd, piano, play as fellow member Baba David Coleman passes out percussion instruments to the audience at their workshop in the Multicultural Center last night. Chevan and Byrd led a discussion about race, interfaith dialogue and music's role in bridging racial differences.
Media Credit: Andrew Brennan
Members of the Afro-Semitic Experience David Chevan, bass, and Warren Byrd, piano, play as fellow member Baba David Coleman passes out percussion instruments to the audience at their workshop in the Multicultural Center last night. Chevan and Byrd led a discussion about race, interfaith dialogue and music's role in bridging racial differences.

01/29/09 - Three members of the eclectic soul band the Afro-Semitic Experience led their audience in a fully inclusive music workshop last night as a preview of tonight's concert. The show is part of Martin Luther King, Jr. week at the University of Rhode Island.

The band tuned and played their instruments softly as they waited for the small audience to appear in the Hardge Forum from the dreary winter weather. Once the audience settled in, Director of the Multicultural Center Melvin Wade addressed the gathering and introduced the band.

As Wade named the musicians, each played a small riff on their instruments as a way to welcome the spectators. One by one they gave a musician's hello to the audience: Baba David Coleman tapped his drums, Warren Byrd played a melodic piano riff and David Chevan jammed on the bass.

Chevan holds a Ph.D. in musicology, Coleman is a Yuroban priest and Byrd is a pianist and composer. The group started as a duo 11 years ago in Connecticut and expanded to six members. The band brings together many musical backgrounds and attempts to bridge cultural gaps. Amy Olson, director of Hillel, requested the three present members to appear after seeing them perform at a similar workshop.

"This is a much less formal event than what is going to happen tomorrow," Chevan said before handing out the band's cache of percussion instruments such as drums, maracas and bells to the audience.

Before the first song began Chevan explained the piece as an invocation to God. The song, Slakah Lanu, began with the bass, then the piano and then percussion. It seemed as though the band created the song as they played.
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